JOSE SARAMAGO

JOSE SARAMAGO’s
ALL THE NAMES
Review
By
CHANDINI SANTOSH


Saramago reminds us time and again why he won the Literary Nobel Prize after his most read work, BLINDNESS. His works are living proof of what great writing does to people and why he is considered the most influential of living writers.
Titled ALL THE NAMES, the book strikingly and ironically holds only one name – that of the protagonist, Jose, doubly macabre as the name is the author’s own. I have yet to read a work in which the central character is named after the author, except in memoirs.
Senhor Jose is a lowly clerk by day and an explorer of famous lives by night, a take off on Dr. Jekyll and Mr. Hyde. One day he chances on upon an index card of an ordinary woman whose details hold as much fascination for him as any other celebrity’s. Rising like a phoenix from his own humdrum existence dictated by regimentation, Jose begins to track the woman down obsessively following a thread of clues in a bid to rescue her from ‘an oblivion deeper than the grave’.
As in all the works of Saramago, what stands out is not his vast repertoire of unhesitatingly alien words or his by now, infamous punctuation, but the eternity in the subject and the way Saramago goes about narrating the same with tongue in cheek humor. ALL THE NAMES is remarkable, both unsettling and delightful, perhaps the hallmark of true literature.
Every page in the book, though undeniably grotesque, has an multiple insights into life. Each paragraph stuns you while the hazardous string of words opens up the vistas of human nature, each path traveled upon by all great writers many times over, but nothing as momentous as Saramago’s, since they are laced with black humor.
You do not need a passport or visa to be transported to the realms of unadulterated human imagination. I chew on these words, the parameters of my intelligence and the translucence of fiction filling up like a hydrogen balloon.
Apart from Saramago’s THE GOSPEL ACCORDING TO JESUS CHRIST, no other work of his stray so much into the realm of fantasy as this one. But when we realize the state of the mind of the character in question, all fantasy dissolves and becomes part and parcel of reality. His apocalyptical words on loneliness can be preserved for future generations, it is that enlightening.
Here are some jottings on the novel from all parts of the world.
‘The roots of Saramago’s tales run deep, tapping into a European tradition of exemplary fictions, in which the human soul resists the encroaching forces of dehumanizing bureaucracies. ALL THE NAMES is a fine successor to BLINDNESS, a work worthy of a literary Nobel Laureate.
LISA JARDINE, The Times

‘A fantastic tale of a cowed clerk defying the power of his monolithic employer. It’s the breezy wit which Saramago challenges a world where Love and Death must be catalogued and explained away by the dull – minded that makes his book so compelling’.
CHRIS DOLAN, Glasgow Herald

‘A lovely adventure, a search for an unknown woman, floats on sentences that topple over one another like waves’.
ROBERT WINDER

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Arundhati Roy

The God of Small Things

I first read Roy’s Booker Prize Winner, ‘The God of Small things’ in 1999 while undergoing the worst trauma of my life. Roy had a halo at the time, especially for us Keralites. No, this is not to say that we should look at things, especially fiction, through parochial eyes.

I read ‘The God of Small Things’ in what was later to be termed in a patchy manner due to the circumstances prevailing in my personal life at the time. It talked of a village in Kerala and used Malayalam words rampantly. There were the rivers, the ponds, the lotuses in full bloom, the pickles, childhood and everything else you would have encountered here in Kerala as a child, growing up in the sixties and seventies.

I was mesmerized with the book for sure, though I had read it in between huge gaps while going in and out of hospitals, which is surely not the way to read any book, leave alone a Booker Winner. But that is how it was.

I reread ‘The God of Small Things’ again last week. It took three days, but the worst part was that I grew impatient and wanted to know what actually happened and so I skipped paragraphs and moved on in this manner till the very end. I sighed. I am confused and unhappy. I do not want to ‘rejoin’ the Roy - bashing bandwagon, yet I will state that it is not as wonderful as I had thought it to be. As l said, l am confused and a little unhappy.

This happens with many books, it is not something that does not happen to others, especially with people like me who is reading and rereading books all the time, when not writing. There is no doubt on Roy’s magnificent plot and the way in which she has narrated it, stretching language till it doesn’t break.

Just before rereading Roy, I had been reading Jose Saramago’s ‘Seeing’. For days on end after that l felt as though l was living inside a bubble and it would burst, while showing me the real world for the first time. The grip that SEEING had on me is in a way all about what good books aught to do to a serious reader. The opening lines of Orhan Pamuk’s ‘The New World’ – l read a book one day and my whole life was changed – holds true for this transcendental work by Saramago.

It taught me that SEEING is not BELIEVING. Reading is.

I reread SEEING again and it still left me gaping, mesmerized, and roused beyond the usual levels of succor. I am madly hunting for his other works like ‘Blindness’, which l am told is a precursor to ‘Seeing’.

Just before reading ‘Seeing’, l went through Fyodor Dostoyevsky’s magnum opus, ‘Crime and Punishment’ for the nth time and believe me it moved me yet again, with its maxims on human behavior and its world vision.

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Aravinda Adiga

Just now I finished reading Aravind Adiga's Booker prize Winner, 'The White Tiger' and found it one of the most amazing read among the books I have been reading lately.

This one is a must for everyone who has even a spark of literature in their souls. The book is a complete antithesis of what other Indian Writing in English is all about. Each line sends a knife up your belly. It does not let you relax.

Amazingly brutal and completely unhypocritical.